In a rapidly changing temporal and spatial context, people strive to balance and protect what they cherish, often placing self-care last.

This series begins with Taiwanese visual symbols, employing traditional media to construct an intangible communal space of memory for projection and connection, exploring the possibility of social support. Like the “empty chair technique” in psychology, it allows viewers to freely engage in dialogue with themselves or others within their minds.

The void and inaction within the work guide viewers to experience brief spiritual containment and repose through painting.

在快速變動的時空背景中，人們努力平衡與守護所愛，常將自我照護置於最後。

此系列以台灣視覺符號為起點，希望以傳統媒材，建構出可供投射與連結的無形記憶共融空間，以此探討其社會支持的可能性，如同心理學中的「空椅法」，讓觀者能自在地與自身或腦中的他人展開對話。

創作中的留白、不作為，是引導觀者透過繪畫擁有靈魂短暫的涵容與休憩。